Chez Damier

We constantly had to balance something that was dreamy and lush versus something that was going to punch you.

The lifeline of what you do is not in the performing, it is not in the producing - it is in the writing.

I can count the times on both fingers that I’ve ever played my own records.

I was a die-hard party kid. I got stoned. I’ve probably done everything under the rug and under the sun.

We were actually on purpose trying to make sounds that would come out and grab you and feel you and spank you.

I tried to bump it up to a 24-track, multi-track two-inch tape, and I lost it. It was like… lost in translation.