Deadbeat
Bridging the gap between Chuck D and Trent Reznor
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All of the tracks were slathered in tape hiss, tons of ground hum. This was the rawest music I’d ever heard.
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A lot of times within the computer it might sound better if your kick drum is clipping.
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This track, ‘Plasticity’ from the first Plastikman album, was my awakening to the power of less being more.
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It’s an 808, a reverb unit and a 303.
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The first time I heard this song was in an ambient room at about 6 a.m. in a state of shock.
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It’s about the extreme physical process of making music, making things as fun and goofy and loud as possible.
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Interviewer
Torsten Schmidt
If you’ve ever had any contact with Red Bull Music Academy, you likely know Torsten Schmidt. One of the founding members of the crew, Tor’s been around since before day one. A longtime music scribe and editor for leading German club/pop culture gazettes Spex and Groove, as well as for selected national newspapers, he’s chewed the fat with Trevor Horn, Melvin Van Peebles, Dr. Bob Moog, Derrick May, Just Blaze, and Moritz von Oswald on the Academy couch over the years, among many others. (He’s still waiting, however, for someone to tell him why Miroslav Klose thought he could run around the pitch for Bayern after being nurtured by his beloved 1. FC Kaiserslautern.) Ask him about Iyengar yoga, his vintage synth collection, white wine, red wine, contemporary novelists, or Scottie Pippen, and you’ll want to buckle up for a long conversation. You’ll be glad you did.
