Hank Shocklee
A journey into noise with Public Enemy's chief producer
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There’s a certain amount of tension that happens when something is slightly out of key.
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We didn’t use much on the compression but we used EQs like crazy. We would EQ on top of EQ.
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I would look for samples to use that way. Anything that made me feel heroic like fucking jumping off buildings.
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Interviewer
Torsten Schmidt
A long-time music scribe for leading German club/pop culture gazettes and national newspapers, and one of the founding members of the Red Bull Music Academy crew, Tor has been around since before day one. He's rubbed shoulders on the couch with everyone from Bob Moog to A-Trak, and as if amassing a definitive collection of vintage synths and drum machines didn't show enough loyalty to the cause, he also keeps faith with notorious Bundesliga underdogs, 1. FC Kaiserslautern.
