Philippe Zdar
Bass still is the place for one-half of Cassius
-
Trust yourself in the studio. You know you’re good.
watch now -
I’m not into the past. I hate memories.
watch now -
The only secret I have about compression is to trust your ear. Have some taste.
watch now -
The 'French Touch' thing happened mainly because, in Paris, we love Chicago.
watch now -
To make a place for the bass is very easy – you just take out bass from all the rest.
watch now
Interviewer
Torsten Schmidt
If you’ve ever had any contact with Red Bull Music Academy, you likely know Torsten Schmidt. One of the founding members of the crew, Tor’s been around since before day one. A longtime music scribe and editor for leading German club/pop culture gazettes Spex and Groove, as well as for selected national newspapers, he’s chewed the fat with Trevor Horn, Melvin Van Peebles, Dr. Bob Moog, Derrick May, Just Blaze, and Moritz von Oswald on the Academy couch over the years, among many others. (He’s still waiting, however, for someone to tell him why Miroslav Klose thought he could run around the pitch for Bayern after being nurtured by his beloved 1. FC Kaiserslautern.) Ask him about Iyengar yoga, his vintage synth collection, white wine, red wine, contemporary novelists, or Scottie Pippen, and you’ll want to buckle up for a long conversation. You’ll be glad you did.
This great redbull music academy interview with legend Philippe Zdar reminds me how far we've come in studio workflow. http://t.co/7SAd9nqo
Fri, January 25, 2013 05:02:23