Skream
Croydon's enfant terrible of heavy wobblin' on the impact of Fruity Loops and the Big Apple record store
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They had ten-grand studios and I had three cracked plug-ins. Through trying to copy them I got my own sound.
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People have a problem with Fruity Loops but it’s my little playground that I know like the back of my hand.
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You can make a bass from anything. Any tone you can make a bass from. They’re just tones.
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Interviewer
Emma Warren
Inspired by her early days as a rave connoisseur, Emma Warren went on to become a founding writer for Jockey Slut and spent four years at The Face; she currently writes for the Observer Music Magazine, Time Out and boutique magazines like Marmalade and Dummy. In addition, Emma has passed a judicial eye over the Mercury Music Prize nominations and created bespoke productions for Channel 4 and 20th Century Fox, among others. She’s also been behind numerous compilations on the London’s seminal Soul Jazz label, but we’re not naming names.
