Stephen Mallinder
Surreal theatre: The crooked paths of Cabaret Voltaire's mastermind
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We wanted to actually use sound like a weapon. The shock of sounds taken out of context fascinated us.
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Drummers were an unbearable pain in the ass when we used a lot of drummers so we just used a drum machine.
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I think what I find interesting about music in 2006 is that 2006 doesn't exist. Time is irrelevant, you know?
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Interviewer
Emma Warren
Inspired by her early days as a rave connoisseur, Emma Warren went on to become a founding writer for Jockey Slut and spent four years at The Face; she currently writes for the Observer Music Magazine, Time Out and boutique magazines like Marmalade and Dummy. In addition, Emma has passed a judicial eye over the Mercury Music Prize nominations and created bespoke productions for Channel 4 and 20th Century Fox, among others. She’s also been behind numerous compilations on the London’s seminal Soul Jazz label, but we’re not naming names.
