Fabio de Luca
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Data 70, Departure (Enraptured, 2004) http://t.co/4jHS4hAypV
The National, Humiliation (4AD, 2013) http://t.co/aFUwFj3W58
rivendersi i gioielli di famiglia: la volta (nel 2001) che incontrai di persona i Daft Punk... http://t.co/14oeB8nY2Y
Tomorrow’s World, Don’t Let Them Bring You Down (Naïve, 2013) http://t.co/OooVk6kFhR
Sixto Rodríguez, Sugarman/Alkalino rework (mp3, 2013) http://t.co/CsfD5DEE5l
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“I Saw Woodstock on Google Maps”
Discogs
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(Dallo stesso articolo di cui al post precedente) «The Internet has had the greatest, and arguably most detrimental, effect on NYC. Pre-Internet, it can be reasonably be stated that most dance music was primarily heard in dance clubs, by people dancing in a specific, communal context. People went to clubs to hear music that could only be heard there. Actual physical spaces like clubs simply don’t matter as much – this has diminished the power of both the spaces and the music played within them. Clubs may not be the center of dance music anymore». (Prince Language) RBMA
Il solito sospetto (anzi, colpevole)
